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Key Features
Product Ref: 39514
The Millennia Media NSEQ-2 Parametric Equaliser features just one active stage as opposed to many other EQ designs that can employ up to 7. This means that the less amplifier stages the sound has to travel through the purer and more heightened the sound will come out as, making the NSEQ-2 one of the most accurate EQ's available right now.
The NSEQ-2 employs twin topology so you no longer have to choose between tube or solid state front end to get the perfect sound. The NSEQ-2 offers either an all triode 300V vacuum tube signal path or an all discrete J-FET solid state signal path all in the same high grade chassis. These 2 different states are switch selectable.
Millenia Media's NSEQ-2 is entirely transformerless in both solid solid state and tube circuit paths to preserve sonic purity. The reason for being a transformerless unit is that many of the pro tube gear on the market use an audio treansformer, however these transformers add there own colouration which may be good for effect but is not a pure sound. The NSEQ-2 provides unparalleled sonic purity and gives you the real feeling of that live experience.
“Using the Millennia NSEQ-2 has made me completely re-think how I use EQ. Where I used to avoid using EQ at all, the NSEQ-2 has been employed to put just the right touch in a recording. The NSEQ- 2’s transparency and musicality is stunning! I don’t know of an EQ, digital or analog, that could approach its qualities.”
Michael Bishop, Telarc International
“This is an excellent machine capable of very fine results irrespective of the of the technology in the amplification. Although, like most sane people, I would normally find it difficult to enthuse about a simple equalizer, this really is something very special and I have only come across one other similar device which I found as audibly exciting. I would expect [the NSEQ-2] to become a very common entry in the equipment inventory of most mastering houses and top-end studios over here once the word gets out.
Hugh Robjohns, Sound On Sound Magazine, UK